Abstract
The purpose of this research paper is to examine the style and surface decoration of the historic mausoleum of Tahir Khan Nahar in Sitpur, built in circa 1520 AD and study their interaction on the arts and crafts of the region. It is a famous monument in the area though little known outside and it is remarkable, because in the first place it is extraordinarily well-preserved and more importantly, it presents a comprehensive cultural identity and veritable catalogue of the aesthetic concepts, motifs, designs and craftsmanship of the pre-Mughal era, particularly the extensive glazed tile work and decorative embellishments. Though it is of a more modest size than the famous mausoleums/shrines of those early times, but because it is in a good condition, here we can get the full impact of the pristine beauty of monuments of that age. Indeed such a rich composition of skilled craftsmanship affected the arts and crafts of the area, in fact the whole aesthetic ethos. Many designs and motifs from this mausoleum were adopted by rustic artisans; similarly domestic spaces utilized themes from here and wealthier residents built houses incorporating one or another of its decorative features. And this effect has continued down the centuries and various aspects of the mausoleum are still found repeated in different modes, interpretations and locations in Sitpur. The townsfolk are proud of their monument, undoubtedly have been for centuries. This study examines various empirical pieces of evidence in the area of the aesthetic influence this mausoleum has radiated among the inhabitants. The author has conducted several interviews of selected individuals in order to gain a deeper understanding of how such a local, historic masterpiece (albeit comparatively modest) creates aesthetic prestige among the people and how they self-construct their private or public identity through making/owning intriguing belongings that symbolize this mausoleum.
Keyword(s)
Mausoleum, Cultural identity, Domestic spaces, Aesthetic Prestige